It shares the classic octosyllabic line format with others in the carpe diem group, as well as some attributes employed by metaphysical poets and poetry; both of those techniques were common in Marvell's work. He could spend centuries admiring each part of her body and her resistance to his advances i. My vegetable love should grow Vaster than empires, and more slow. This provides the reader of ancient chariot coming down toward the two of them. Let us roll all our strength, and all Our sweetness, up into one ball; And tear our pleasures with rough strife Thorough the iron gates of life.
But it is rather an-metaphysical for Donne not to have developed philosophical ideas of the nature of love in the poem. Marvell, however, might be playing a slightly different game than his speaker, since, while his speaker leave the state of the soul from his verse, the final image of sexual activity involves visceral sexual activity, which is simultaneously a fall. No one can live this long. Although each stanza uses different images, they all convey Marvell alludes to a vast amount of time passing in lines 7-10. The poem is in the first person and the poem itself is like a poem made for someone. The first, the vegetative soul, common to all forms of life, governed the nutrition and growth of a living being. Care less, eyes, lips and hands to miss.
It is not a commonly used word in business or children's conversation. The tone can be described as intimate, passionate, contemplating, lyrical, and sol … emn. In the first stanza he describes how he would pay court to her if he were to be unencumbered by the constraints of a normal lifespan. An hundred years should go to praise Thine eyes, and on thy forehead gaze; Two hundred to adore each breast, But thirty thousand to the rest; An age at least to every part, And the last age should show your heart. Deserts come in many varieties, but, here, the desert is a symbol of emptiness and loneliness.
In the second stanza, he laments how short human life is. A couplet is two lines of verse that usually rhyme. But space is also separation: the lovers are apart; the female body parts are separate, discrete entities, each having their own 'Age'. For this reason, conceited poems often have long, extended metaphors that no one but the poet and their relatives ca … re about. In line 25, he uses the impending loss of her beauty as something of a threat, as he reminds her of the ravages of death and decay and how they will destroy what she is trying to preserve by retaining her virginity. Imagery, Symbolism, and Descriptions in To His Coy Mistress Andrew Marvell in his poem describes a young man convincing his fair mistress to release herself to living in the here and now. By saying this the speaker is trying to interlude the idea of the slow process of growing vegetables to signify that his love would not be wasted due to the fact all of his effort and focus would be given to loving her.
New York: New York Review of Books, 2001. During the first stanza, he comments on how beautiful she is, and how much he loves her. For, lady, you deserve this state, Nor would I love at lower rate. Although the 'metaphysic' was originally a derogatory term, metaphysical poetry used intellectual and theological…. What is far more shocking is the dream the speaker has of becoming a vine and literally enveloping and covering the body of his beloved, Lucia. As the idea is articulated here, love and hatred, sympathy and antipathy, define the relationships between the elements and heavenly bodies. Throughout the entire poem, imagery is present, providing readers with powerful scenes.
He is trying to imply that the winged chariot is there transportation in a sense to heaven. To His Coy Mistress has the whimsical quality that characterizes so much of Marvells poetry. He implies that the future does not hold joy or an often imagined blissful paradise; rather, it is instead barren and dry. The poem is written in a fairly uncomplicated style, which fits Marvells carpe diem theme. Thou by the Indian Ganges' side Shouldst rubies find: I by the tide Of Humber would complain. This comparison is presented the speakers sexual desires with the fire and describing how his soul and love is beginning to arise more and more in her body.
The second, the sensitive soul, common to non-human and human animals, governed the external and internal senses, including the ability to move. The imagery of Apollo and his chariot is especially apt for numerous reasons. Marvell paints a secular picture of life and death, with no hope, no existence beyond the grave. It may be that he is overly anxious to take the woman's virginity and will therefore spin any elaborate hoax for which she might fall. In the second section, the speaker focuses on how little time they have and what horrible events will come, if she does not except his love. It is also well known from Greek mythology that Apollo with the aid of four horses drew the sun across the sky.
One can find that he may be overdoing it when he promises to adore each part of her for an outrageous amount of time. How are the time and the space words connected? From mockery to frustration Marvell's language is as much tied to his voice as to his imagery. He wants the undivided attention of this mistress so that he can scare her and rush her into making a decision the way he wants and in due time. That is to say that fruits such as apples are what the flower becomes after pollination, whereas vegetables for example carrots are the roots, asparagus the stems and lettuce the leaves of the plant. Analysis of figures of Speech and Poetic Devices. Evidently, this has been going on for quite some time, as Marvell now feels it… 809 Words 4 Pages Analysis of To His Coy Mistress by Andrew Marvell Andrew Marvell's elaborate sixteenth century carpe diem poem, 'To His Coy Mistress', not only speaks to his coy mistress, but also to the reader. Petrarchan poetry is based upon rarifying and distancing the female beloved, making her into an unattainable object.