When the poet is truly inspired, his imagination will enable him to select from the language really used by men. He says Milton had a highly imaginative mind while Cowley had a very fanciful mind. Almost imperceptibly, he starts talking about childhood, about what it was like to be a five-year-old child bathing naked in the sunshine in the little mill-race that he lived near. Further, Coleridge reacted to that notion by Wordsworth. .
As time went on, differences of temperament tended to make them believe occasionally that they had differences in theory, but one profound belief they certainly had in common was their faith in the remedial and efficacious power of the natural world. In Resolution and Independence Wordsworth describes the nature. The so-called proto-romantics transition poets , Cowper, Gray, Blake, and Burns, among others, balked at merely copying classical subjects and forms once more. There is no use of materialistic examples. But the poet is not only a social instrument but an individual, pleased with his own passions and volitions.
The ultimate source of joy for the Romantics was the nature and its appreciation. For in his later years, Wordsmith was unable to recapture the beautiful spiritual experience of which he describes in Tinder Abbey. While I personally agree with the critic to the story. She had a rustic, woodland air, And she was wildly clad; Her eyes were fair, and very fair; Her beauty made me glad. This helps to Improve diction, organize what they want to say and focus on the mall points of interest. I Wandered Lonely As A Cloud Daffodils I wandered lonely as a cloud That floats on high o'er vales and hills, When all at once I saw a crowd, A host, of golden daffodils; Beside the lake, beneath the trees, Fluttering and dancing in the breeze.
These lines show that Wordsworth places little stock in the benefit of education or institutionalized wisdom. The Romantic poets sought to reject artificiality; they appear to be sincere to themselves and to their readers. The most Important part In the history of poetic diction Is constituted by Wordsmith's views on the language of poetry. William Blake is one of the most popular English romantic artists. Coleridge further says that the language praised so much by Wordsworth varies from locality to locality owing to various influences. His experiences are certainly mirrored in the subject matter of his creations and because of the inextricable link between Wordsmith the man and Wordsmith the poet, the poems discussed in this paper have been separated into three sections.
In the poem the speaker calls on his sister to forego her chores and her studies. Even though the story is argumentative in wording, the tone is not angry or even serious. There his life was simple and unencumbered. To fancy, Coleridge assigned a subordinate place. Wordsmith 's theories , outlined in the 'Preface' which opened the volume , emphasized the. In these lines nature is compared with explicitly religious ideas to introduce the idea of nature as a link between man and God- the truly divine. He describes poetry as the spontaneous overflow of emotions.
The second section explores Wordsmith's Sonnets. It chanced that David Hartley, founder of the associationist school in psychology — his views were adapted afterward in the social philosophy of the Utilitarians — who at the moment absorbed Coleridge's attention, had expounded views which Wordsworth fancied matched his very own. His views about the language which was to be employed in poetry raised a storm of protest against him even by such a close friend as Coleridge. Solitude, pain of heart, distress and poverty. In some of his poems he was clearly in a state of amazement when he wrote them. However following this, Wordsmith and his wife installed themselves at their new home from which he seldom vacated.
However in true Wordsmiths fashion the speaker, and presumably the poet, are made to see sense and are pulled out of their dreary wanderings by a conversation with the wise and humble old man who puts everything in perspective for the poet. In stanza 3, he compares them with the waves of the lake. He works to reconstruct an experience for the reader. Even Wordsmith was one among them once. Together they hint at a darker side to the surfacially idyllic pleasure dome. Wordsworth, born in his beloved Lake District, was the son of an attorney. Such is the e nature! Turning more closely to Wordsworth's statement that 'the language too of these men is adopted because such men hourly communicate with the best objects from which the best part of language is originally derived; and because, from their rank in society and the sameness and narrow circle of their intercourse, being less under the action of social vanity, they convey their feelings and notions in simple and unelaborated expressions'.
Both of the poets seek to reinforce the individual, the glory and value of Nature, and induce revelations in their readers. He says that best part of language is not derived from communicating with nature but from the reflection of acts of mind itself. Coleridge thought in terms of quick and brilliant generalizations and Wordsworth thought somewhat ploddingly and provided a valuable devotion to detail. He felt that Wordsworth's conception of poetry relied too much on Hartley's theories and did not adequately explain Wordsworth's poems. The work met with critical hostility and so Wordsworth added his famous Preface to the second edition, which was published in 1801. Here also he was in his beloved home landscape, immortalized in so many of his poems. To further subdivide the act of imagination, Coleridge introduces his concept of fancy.